The Platform The Prison We Deserve (And the Hunger We Dare Not Name)
A social allegory that moves like a broken elevator: powerful at first, then circling the same floors until you’re bored of your own despair.
Claqueta Ácida acid rating
"Antonia San Juan lives in a state of cinematic Russian roulette. Capable of touching absolute magnetism with a 6.0, only to crash into 6.0 trainwrecks that leave us wondering if they read the script before cashing the check. Undeniable talent, questionable compass." — Claqueta Ácida Editorial Staff (Odín Lagbert)
«La veterana de *Todo sobre mi madre* roba cada plano con esa mezcla de locura maternal y cinismo que solo ella sabe destilar. Aquí no interpreta a una presa, interpreta a la cárcel entera.»
A social allegory that moves like a broken elevator: powerful at first, then circling the same floors until you’re bored of your own despair.
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