Claqueta Ácida acid rating
"Karra Elejalde belongs to that rare breed of performers capable of elevating any frame simply by breathing. 100% of their appearances in our catalog are essential viewing. When their name appears on screen, we rest easy: this is real cinema." — Claqueta Ácida Editorial Staff (Odín Lagbert)
«Un huracán de sobreactuación controlada que convierte cada escena en un espectáculo de freak show con patente de corso. Si el método Stanislavski tuviera un hermano bastardo y borracho, sería él.»
«Un actor que convierte la desesperación existencial en arte corporal, como si Buster Keaton hubiera nacido en el País Vasco y se hubiera pasado al gore psicológico.»
«Un actor que convierte la psicopatía en poesía física, con una mirada capaz de congelar el infierno y una sonrisa que parece tallada en hueso de víctima.»
🏆 Best Performance
*The Dead Mother: The Basque Gothic That Left Us With Our Hearts in Our Throats (And Our Brains in the Freezer)*
9.0/10
💀 Worst Project
*Timecrimes: The Time Loop That Dooms Us to Be (and Screw Up as) Ourselves*
8.5/10
Juanma Bajo Ulloa dissects trauma with a butcher’s knife and frames that reek of mold and dried blood. Claqueta Ácida performs an autopsy on his macabre masterpiece.
Juanma Bajo Ulloa turns mayhem into art with this psychedelic road movie, where the A/C reeks of cheap whiskey and the celluloid sweats testosterone. A cult gem that time hasn’t been able to tarnish.
Nacho Vigalondo turns time travel into a maze of flesh, blood, and stupid decisions. 92 minutes of low-budget paranoia that outshine the entire *Terminator* saga.
Cinephile connections, archive interviews and related analyses.
🔔 Want an alert when there is something new?
New reviews, articles and interviews.
