Kamen Rider The Legacy of the Cheap Mask
A marathon of toxic nostalgia where scant imagination disguises itself as a superhero with an insect helmet.
🧠 Festival analyst and cultural controversy expert. His level of cynicism is matched only by his ability to detect commercial pretentiousness in movie theaters.
"Cannes premia lo que no entiende. Yo sí lo entiendo. Por eso no lo premio."
A marathon of toxic nostalgia where scant imagination disguises itself as a superhero with an insect helmet.
A scathing critique exposing Ted Lasso's complacency, the sitcom that turned corporate kindness into a television placebo for the pandemic era.
Apple TV+ spends a fortune recreating a hundred subterranean concrete levels only to get trapped in the inertia of unsolved mystery boxes.
A mordacious review that dissects the new Insidious installment, caught between worn-out shadows and flashes of genuine terror.
A half-working Airbnb horror comedy. Brandon Christensen captures the traveler's paranoia, but the script falls halfway. Rating: 5.8.
An acidic critique of Lee Chang-dong's masterpiece, where suspense is brewed amidst coffee smoke and uncomfortable silences.
A scathing critique of the 1989 Pet Sematary, caught between nostalgia, horror, and a script that digs itself up with zero enthusiasm.
A scathing critique that celebrates the masterful alchemy of Darabont, Freeman, and Robbins, without losing the irony of an immortal classic.
A low‑budget zombie apocalypse that works in bursts and bores elsewhere. Byers does what he can with 84 minutes and almost no money.
Danny Boyle and Alex Garland attempt to resurrect post-apocalyptic terror with an iPhone 15 Pro Max. Spoiler: it doesn’t work.
Roman Polanski turns the Holocaust into art without redemption. Adrien Brody shatters our souls just by breathing. An uncomfortable masterpiece.
Pedro Martín Calero delivers an Argentine supernatural thriller that promises the moon and hands you an eternal sigh. Ester Expósito shines, but the script loses itself in its own labyrinth of tears.
Scorsese delivers a brutal portrait of the mob where crime doesn’t pay—but at least it makes you feel alive. Or so you think, until paranoia gnaws you down to the bone.
A descent into the abyss of the human condition—bring a vomit bag and a therapist on standby
A scathing review of *The Menu*, the film that’ll make you question the true cost of exclusivity
A scathing review of *Blue Velvet*, David Lynch’s film that drags you kicking and screaming into the rot beneath suburbia’s manicured lawns.
A war movie that promises everything and delivers a dud
Hugh Jackman dons the tunic one last time—or so the title claims. Redemption or just an autopsy of a myth that’s been rotting on the vine?
A scathing review of Yeo Siew Hua’s Incantation, a 6-minute descent into darkness that lingers like a curse
A podcast host moves in with her ailing mother and uncovers cursed tapes. Spoiler: the real horror is the script.
A lonely teen uncovers her family’s dark ties to witchcraft in this 2021 indie darling—if ‘darling’ means ‘a hot mess with delusions of grandeur.’
Yorgos Lanthimos turns Queen Anne’s palace into a luxury insane asylum. Emma Stone, Olivia Colman, and Rachel Weisz dance a minuet with daggers. 9.0/10. 💀
Lee Cronin revives Sam Raimi’s demons with a bigger budget and zero soul. Sequel or scam? Claqueta Ácida dissects the corpse.
A deadly virus unleashes hell at a biotech conference—because nothing says 'team-building' like a lab full of flesh-eating mutants.
Gore Verbinski turns an AI apocalypse into a neighborhood vaudeville with Sam Rockwell and Juno Temple. It works—until it drowns in 40 minutes of futuristic sermonizing.
Darren Aronofsky turns ballet into a razor-sharp psychological thriller. Natalie Portman dances, suffers, and leaves us breathless. Masterpiece or freak show?
Milla Jovovich returns to what she does best: kicking asses with a poker face. Adrian Grünberg keeps the pace, but the script limps along. Minor work? Absolutely. Necessary? Also.
Almodóvar turns holiday grief into an intimate, visually stunning, and emotionally raw drama. Bárbara Lennie shines, but the script stumbles in the third act. 8/10.
A masterpiece that rips your soul to shreds
Severin Fiala and Veronika Franz deliver a historical psychological horror drama that drowns in its own solemnity. Visually flawless, emotionally frigid. Art or autopsy?
John Carpenter turned $300,000 and a guy in a William Shatner mask into the slasher that redefined horror. Claqueta Ácida dissects its cheap genius.
A film that flings wide the door to mystery and terror—if you dare to step through
The Boarding School (1969), a film that revives terror within the walls of a girls' boarding school—where repression and sadism dance a waltz in crinoline
A scathing, pitch-black critique of the horror flick 'Night Passenger'—where cinematic analysis meets the kind of wit that leaves third-degree burns.
A scathing critique of *Horror and Love*, the film that blends terror and romance like a drunk chef mixing bleach and tequila—equally toxic, equally unforgettable.
**Rhys Frake-Waterfield turns the childhood classic into a gore-soaked nightmare starring Robert Englund and a Pinocchio that’d make Chucky weep. Art? No. Fun? Even less.**
A scathing review of the movie Janur Ireng: Sewu Dino the Prequel, with irony and dark humor
Kyle Misak gifts us a 'hood thriller' with more dandruff than suspense and more clichés than hair in a brush. Dr. Cynicism dissects this disaster with a barber’s scalpel.
Laura Casabé adapts Mariana Enríquez with more sweat than terror. An Argentine summer that reeks of mosquito repellent and textbook clichés.
A scathing, no-holds-barred evisceration of Damian McCarthy’s 2021 psychological horror *Caveat*
Nacho Vigalondo turns time travel into a maze of flesh, blood, and stupid decisions. 92 minutes of low-budget paranoia that outshine the entire *Terminator* saga.
M. Night Shyamalan builds a cardboard village with bargain-bin monsters and a twist so stale it smells like mothballs. Roger Deakins lights up the boredom.
Sam Levinson turns teenage suffering into a neon-and-glitter spectacle—but is this cinema or an advanced tutorial on how to ruin your life with style?
A scathing, satirical takedown of *The Americans*—because nothing says "family drama" like Soviet sleeper agents gaslighting their neighbors.
Clint Eastwood turns a boxing drama into a premature funeral. Maggie Fitzgerald reminds us that the real knockout punch is life itself.
Ari Aster burst onto the horror scene with a devastating, gut-wrenching thesis on inherited grief, maternal madness, and the demon Paimon—because nothing says "family bonding" like ritual decapitations and ancestral curses.
A recap of the 83rd Golden Globes. We break down the winners, the most awkward acceptance speeches, and Hollywood’s open bar.
An in-depth review of *Taxi Driver* (1976), Martin Scorsese and Paul Schrader’s masterpiece. A feverish descent into urban alienation, concealed firearms, and sleepless nights.