Possession When Love Rots and Celluloid Bleeds
Żuławski turns a divorce into a flesh-and-psychosis black mass. Isabelle Adjani screams so hard the Berlin Wall shudders. Horror cinema for masochists with impeccable taste.
Claqueta Ácida acid rating
"Sam Neill belongs to that rare breed of performers capable of elevating any frame simply by breathing. 67% of their appearances in our catalog are essential viewing. When their name appears on screen, we rest easy: this is real cinema." — Claqueta Ácida Editorial Staff (Odín Lagbert)
«Un **Sam Neill** en estado de gracia, descomponiéndose en tiempo real como si el guion de Carpenter le estuviera pudriendo las neuronas desde dentro. Su cara de pánico existencial es el mejor efecto especial de la película.»
🏆 Best Performance
Possession: When Love Rots and Celluloid Bleeds
9.2/10
💀 Worst Project
Event Horizon: A Voyage into the Void of Space
6.6/10
Żuławski turns a divorce into a flesh-and-psychosis black mass. Isabelle Adjani screams so hard the Berlin Wall shudders. Horror cinema for masochists with impeccable taste.
John Carpenter delivers a Lovecraftian nightmare with Sam Neill teetering on the edge of the abyss. A masterpiece of cosmic horror or a self-parody with literary pretensions? Here’s the autopsy.
A scathing critique that dissects the cosmic horror of Event Horizon with erudition and biting sarcasm.
Cinephile connections, archive interviews and related analyses.
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