Claqueta Ácida acid rating
"Nicole Kidman belongs to that rare breed of performers capable of elevating any frame simply by breathing. 100% of their appearances in our catalog are essential viewing. When their name appears on screen, we rest easy: this is real cinema." — Claqueta Ácida Editorial Staff (Odín Lagbert)
«La Kidman no solo actúa aquí: **desangra** su personaje con la precisión de un cirujano victoriano. Su Grace Stewart es un cadáver andante con corsé, y cada mirada suya pesa más que el plomo de un ataúd.»
«La única que parece entender que está en una película de Kubrick y no en un anuncio de perfume: su mirada de gacela envenenada podría derretir el hielo de un glaciar.»
🏆 Best Performance
*The Killing of a Sacred Deer: Quantum Greek Tragedy Served on a Sterile Hospital Platter*
8.9/10
💀 Worst Project
The Others: The Phantom of the Victorian Opera in Light Gore (Or How Amenábar Sold Us Canned Fear with Class)
8.0/10
Yorgos Lanthimos takes Euripides' classic myth and injects it with an unrelenting clinical nightmare, where a surgeon’s guilt unleashes an unbearable physical curse.
Lanthimos turns trauma into grand guignol opera with Farrell, Kidman, and a Barry Keoghan who stares into your soul like a rusted scalpel. Chamber cinema hurtling toward horror at a glacial pace.
Stanley Kubrick dissects marriage like a corpse on an autopsy table: with a silver scalpel, candlelight, and a Tom Cruise more lost than a vampire in an IKEA. 159 minutes of icy hypnosis.
Alejandro Amenábar turns a gothic manor into a labyrinth of curtains and whispers. Nicole Kidman shines, but the script reeks of mothballs. A scalpel-sharp critique.
Cinephile connections, archive interviews and related analyses.
🔔 Want an alert when there is something new?
New reviews, articles and interviews.
