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Festivals

All our archived movie autopsies and reviews categorized under Festivals.

Reviews of Festivals

PUFA 2026 - Día 6: Terror psicológico y leyendas castellanas
Festivals

**PUFA 2026 Day 6: Psychological Horror and Castilian Legends (or How the Festival Proved Genre Cinema Can Be as Unbearable as an Influencer at a Funeral)**

The sixth day of the **Valladolid International Fantasy and Horror Film Festival (PUFA)** offered a mix of premieres and screenings, including *Lenore*, *The Waiting Man*, and *Janur Ireng*, exploring psychological horror, black magic, and artificial intelligence.

By: Lúa Ácida 7/10/2026 • ⏱️ 22 min
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Iai
Cartelera oficial de Iai
6.0
Festivals ⚡ Citric Acid

Recuerdo querido

A Japanese supernatural drama that reeks of cheap incense and telenovela tears. A masterpiece of intimate terror or a kimono-clad exercise in self-indulgence?

By: Camilo K.O. 7/9/2026 • ⏱️ 8 min
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Killing Time
Cartelera oficial de Killing Time
7.0
Festivals ⚡ Citric Acid

Killing Time

A dark fable by Jang Joon-yeop that dances between the poetic and the pretentious. A choreography of shadows and silences, but it lacks the teeth to bite.

By: Lúa Ácida 7/7/2026 • ⏱️ 9 min
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PUFA 2026 : Día 3: Delirios analógicos y paranoias de la mente
Festivals

**PUFA 2026 Day 3 – Analog Delirium and Mind Paranoia (or How Modern Cinema Insists on Reminding Us That Hell Is Other People—Especially If They’re Algorithms)**

The third day of the **Valladolid Fantastic Gateway (PUFA 2026)** was less a film marathon and more a *social experiment*—a rollercoaster where the festival, like a hoarder Frankenstein, stitched together scraps of marginal genius, digital autopsies, and Freudian nightmares to serve up a four-course tasting menu that, as a whole, tasted like *cheap whiskey and expired Xanax*. From the **FUNDOS Auditorium**—a cinema temple reeking of spilled beer and screenwriters’ shattered dreams—to the **Broadway Cinemas**, where the Official Selection tried (and failed) to convince us that psychological horror is still a noble genre, July 6th was a masterclass in how contemporary cinema can be *simultaneously mesmerizing and nauseating*. And no, that’s not a compliment.

By: Odin Lagbert 7/7/2026 • ⏱️ 23 min
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