Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
A caustic takedown of *Goliath*, where justice isn’t blind—it’s just another rigged game in a courtroom circus.
A scathing review of HBO Max’s *The Penguin*—the desperate attempt to glorify Gotham’s ugliest villain.
An acidic review of the environmental and commercial controversy surrounding James Cameron's ode to Pandora.
Acidic analysis of the Amazon series and its meteoric collapse following the controversy on set.
Spielberg peddles yet another alien invasion—this time with carnival-grade effects and dialogue straight out of a self-help manual. The truth stings worse than those bargain-bin UFOs.
A scathing review of *The Exorcist*, the horror classic with a razor-sharp edge.
Sam Levinson turns teenage suffering into a neon-and-glitter spectacle—but is this cinema or an advanced tutorial on how to ruin your life with style?
F. Javier Gutiérrez exhumes rural trauma with cinematography that reeks of dried blood and a Víctor Clavijo who decomposes in real time. A gothic Andalusian horror masterpiece—or just a pretentious stylistic exercise?
Juanma Bajo Ulloa dissects trauma with a butcher’s knife and frames that reek of mold and dried blood. Claqueta Ácida performs an autopsy on his macabre masterpiece.
A scathing review of the controversy surrounding *Barbie* (2023) and its explosive reception on social media.
A scathing review of *Star Wars: The Last Jedi*, the biggest fan controversy in the galaxy—where the Force drowns in debates and memes.
*A scathing review of *The Shield*, the cop drama where justice and corruption tangle like a pair of drunks in a back alley brawl.*
A scathing, nihilistic takedown of Curry Barker’s *Obsession*—where passion curdles into madness, and the only twist is how predictably it all unravels.
Travis Knight directs an ambitious adaptation of the classic Eternia universe, striving to balance cutting-edge digital effects with the heart and soul of the original franchise.
The night can be very dark, but *The Night Of* is even darker.
Cindy Campbell and Brenda Meeks are back in another installment of *Scary Movie*, ready to parody A24 and Blumhouse’s latest horror hits—because nothing says "fresh comedy" like recycling jokes from 2003.
A scathing, sarcastic deep-dive into *Jaws* (1975), Steven Spielberg’s masterclass in turning a malfunctioning shark puppet into the most terrifying villain in cinema history.
Clint Eastwood bids farewell to cinema with an urban western that’s a hymn to loneliness and redemption—if by "hymn" you mean a raspy growl from a man who’d rather spit on your shoes than sing you a lullaby.
