Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Miguel Ángel Refoyo on the occasion of the long-awaited return of his blog 'A World from the Abyss'. Auteur cinema, resistance, and craft.
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«We dissect Ángel Gómez Hernández's The Boogeyman, an exercise where domestic folklore disguises itself as a 19th-century medical drama.»
A teacher on the edge kidnaps a troubled student, and the system rewards her. Dr. Cynicism dissects this black comedy on institutional complicity.
In 1950, Felix E. Feist directed not a sports drama, but an implacable documentary about the industrial processing of juvenile flesh.
A glacial immersion into the bureaucracy of digital guilt under the direction of Oleg Vitvicki.
Aaron Sorkin attempts to put Big Tech on trial but ends up reproducing the very same cheap dopamine he purports to denounce in The Price of the Network.
Crystal Lake dissects Pam Voorhees' past in a prequel that overly humanizes a myth that worked much better as an inscrutable shadow.
Thomas Vincent uses the theft of the Mona Lisa as a lazy excuse for an unbearable family therapy session starring Stanley Tucci.
Vincenzo Natali adapts Stephen King and Joe Hill, turning an innocent cornfield into a suffocating labyrinth of time loops and cosmic rocks with more mystical pretensions than an Instagram guru.
Yeon Sang-ho crafted one of the best action-horror zombie thrillers in recent memory, turning a high-speed train ride into a suffocating social hellscape.
6.5 We dissect George Miller’s latest release. A visual feast that overstays its welcome like gum on hot asphalt.
Jordan Peele made his directorial debut with a razor-sharp social horror satire about hypnosis, liberal hypocrisy in the suburbs, and brain transplants—because nothing says "woke" like turning Black bodies into empty vessels for rich white folks.
Alex Garland plunges us into an uncomfortable dystopian nightmare that refuses to offer political explanations, instead zeroing in on the desensitization of war journalism.
A satirical and squirm-inducing review of Michael Haneke’s modern Austrian cinema classic. A meta-cinematic essay that shames the viewer for their thirst for violence.
Ti West delivers a filthy, lascivious, and razor-sharp love letter to '70s indie porn and rural slasher classics, set on a Texas farm where the only thing sharper than the knives is the satire.
Bong Joon-ho delivers a cinematic gem that effortlessly leaps across genres, morphing from pitch-black comedy about real estate scams into a bloody social tragedy.
Pascal Laugier delivers the magnum opus of the New French Extremity: a devastating plunge into systematic violence and the mystical quest for the great beyond.
*Hamnet* review. Maggie O’Farrell’s novel adaptation crowns itself as a devastating work of art, with a masterful Jessie Buckley at its core.
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