Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
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We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
A scathing critique that dissects the cosmic horror of Event Horizon with erudition and biting sarcasm.
A biting review that unravels the baroque horror of the 1968 film, amidst Karloff, shadows, and macabre sculptures.
A scathing critique that celebrates the masterful alchemy of Darabont, Freeman, and Robbins, without losing the irony of an immortal classic.
An acidic review of 'Maniac' (2012), a slasher attempt that barely scratches the surface of horror.
A French woman with a knife and style: feminist thriller or gratuitous exercise in cruelty? Coralie Fargeat’s debut feature splits opinions sharper than an axe through a skull.
An acidic review of Barry Levinson's film that tries to scare with viruses and ends up as a low-budget routine.
A low‑budget zombie apocalypse that works in bursts and bores elsewhere. Byers does what he can with 84 minutes and almost no money.
A teenage nightmare where bullying reeks of rotting flesh and revenge tastes like fresh blood. Gothic thriller with more grease than a slaughterhouse.
A mutant parasite hijacks four misfortunates in a roadside gas station. 82 minutes of cheap but pulsating creature feature. It's not The Thing, but it hits hard.
Mel Gibson and a mysterious girl in a rural thriller that reeks of rancid testosterone and a script scribbled on a bar napkin. Raja Collins delivers a debut that doesn’t scare, but also doesn’t bore. Is it worth it? Almost.
A biting review of 'Trick or Treat', where the horror atmosphere stays on the surface and talent dissolves into clichés.
85 minutes of Argentine Gothic atmosphere that promises more than it delivers. Bastian Noir dissects this horror ritual with a scalpel and sarcasm.
De Niro as a textbook psychopath, Scorsese at his dirtiest, and a script that leaves you gasping for air. Psychological terror in its rawest form.
Stuart Ortiz delivers a B-movie found footage flick with more ambition than budget. Is it worth it? Only if you enjoy horror that smells like a poorly ventilated garage.
Industrial claustrophobia and pure physical terror. A merciless critique of Ian Holm's CGI and the cheap nostalgia that stains the franchise's return.
Danny Boyle and Alex Garland attempt to resurrect post-apocalyptic terror with an iPhone 15 Pro Max. Spoiler: it doesn’t work.
Joe Dante turned holiday terror into black comedy with absurd rules. Forty years later, it remains a marvel of controlled chaos and a how-to manual on making monsters adorable.
Roman Polanski turns the Holocaust into art without redemption. Adrien Brody shatters our souls just by breathing. An uncomfortable masterpiece.
