Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
An analytical dissection of À l'intérieur, the pinnacle of French extremity directed by Julien Maury and Alexandre Bustillo in 2007.
Paco Cabezas merges Argentine historical memory with supernatural horror in a Patagonian road movie that drowns in its own generic jump-scares. 💀
Macarena Gómez revs a chainsaw in vintage Christian Dior in an unapologetic Spanish black comedy that embraces total absurdity with theatrical zeal. 💀
Odin Lagbert dissects David Janoff's digital nightmare where Kevin Hart and Kai Cenat monetize a real crime in grueling real-time.
An enthusiastic approach to Don't Leave the Kids Alone, where Emilio Portes deconstructs genre cinema with mastery and bad intentions.
Lance Oppenheim dissects the circus of television morality in Primetime, revealing that the true predator was always the host himself.
Rob Jabbaz detonates the infected-cinema genre with a torrent of ultraviolent, depraved destruction that redefines the boundaries of contemporary gore.
The Philippou brothers make their explosive A24 debut with a suffocating, hyper-realistic horror film that reinvents possession movies for the TikTok era.
Bustillo, Maury, and the unholy spirit of the era deliver the most blood-soaked, poetic, and merciless *home invasion* in cinema history.
John Carpenter reinvented the modern slasher on a shoestring budget, three piano notes, and a faceless killer embodying suburban terror—no backstory, no mercy, just a knife and the slow creep of dread.
A scathing critique that acknowledges the hits of Ruth Platt's unsettling work, but points out its lack of surprise and pacing.
A review that dissects the fifth installment of Insidious with sarcasm, hard data, and a touch of respect for the Blumhouse formula.
A half-working Airbnb horror comedy. Brandon Christensen captures the traveler's paranoia, but the script falls halfway. Rating: 5.8.
A submarine dive that drowns more than it breathes: Claqueta Ácida's critique of a thriller running out of air.
A sequel that smells rotten from the very first frame. Garland and DaCosta try to revive the genre, but the result is a technical knockout dressed up as a masterpiece.
An autopsy of a cheap thriller that only manages to irritate the viewer while they pay for their ticket.
A biting review that dissects the mediocrity of Bloodline, the latest Blumhouse entry that promises blood but delivers routine.
