Animals The Kidnapping of Male Vanity
«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
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Liam Neeson, as an ex-operative with dementia who reveals a forgotten fortune, is the only human thing in a polished thriller that gets tangled for 142 minutes between Kabul and Tehran.
A marathon of toxic nostalgia where scant imagination disguises itself as a superhero with an insect helmet.
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Rob Jabbaz detonates the infected-cinema genre with a torrent of ultraviolent, depraved destruction that redefines the boundaries of contemporary gore.
Gary Oldman turns Jackson Lamb into a corrosive force of nature in one of the best and most cynical revisions of the British espionage thriller.
A biting review of 'Un amor' (2023) that dissects direction, performances, and production miseries with the cynicism of Claqueta Ácida.
The Philippou brothers make their explosive A24 debut with a suffocating, hyper-realistic horror film that reinvents possession movies for the TikTok era.
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Bustillo, Maury, and the unholy spirit of the era deliver the most blood-soaked, poetic, and merciless *home invasion* in cinema history.
A televised autopsy that distills moral metastasis while the audience pays for every drop of synthetic blood.
John Carpenter reinvented the modern slasher on a shoestring budget, three piano notes, and a faceless killer embodying suburban terror—no backstory, no mercy, just a knife and the slow creep of dread.
🎙️ Interview
Bruno Martín reveals the inner workings of 'Luger': from the World War II MacGuffin to the urban western set in the P29 industrial park. An unfiltered autopsy.
A brutal autopsy of the new Resident Evil that reeks of office perfume and plastic blood.
A superhero series that smells like a corporate facelift, featuring cardboard dialogue and a budget that looks like a €9.50-per-episode scam.
A scathing critique dissecting James Wan's horror, oscillating between effective scares and scripts that get lost in the darkness.
A marathon of clichés and marketing sweat that leaves the audience feeling like they've run in circles. 💀