Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
Hugh Jackman dons the tunic one last time—or so the title claims. Redemption or just an autopsy of a myth that’s been rotting on the vine?
A scathing deep-dive into the film that plunges into the darkest corners of the human psyche, only to resurface with demons that haunt us via a festival of clichés and a script so desperate it might as well be a cry for help.
Silvia Mordaz’s scathing review of *The Neon Demon*—a plunge into the fashion industry’s dark underbelly, where style devours substance and sanity.
A scathing review of Yeo Siew Hua’s Incantation, a 6-minute descent into darkness that lingers like a curse
A scathing takedown of *World War Z*—where the undead run faster than the script’s IQ, and Brad Pitt’s heroics are the only thing more predictable than the zombie horde’s lack of originality.
Alejandro Amenábar turns a gothic manor into a labyrinth of curtains and whispers. Nicole Kidman shines, but the script reeks of mothballs. A scalpel-sharp critique.
A razor-sharp evisceration of *Nightcrawler*—the film that exposes journalism’s dark underbelly while making you root for the monster.
Christopher Nolan’s *The Odyssey*: A cinematic masterpiece—or a bloated vanity project drowning in its own pretensions?
Javier Attridge turns the Chilote myth into a college term paper with delusions of cosmic horror. Spoiler: the only monster here is mediocrity.
A podcast host moves in with her ailing mother and uncovers cursed tapes. Spoiler: the real horror is the script.
A lonely teen uncovers her family’s dark ties to witchcraft in this 2021 indie darling—if ‘darling’ means ‘a hot mess with delusions of grandeur.’
Żuławski turns a divorce into a flesh-and-psychosis black mass. Isabelle Adjani screams so hard the Berlin Wall shudders. Horror cinema for masochists with impeccable taste.
Yorgos Lanthimos turns Queen Anne’s palace into a luxury insane asylum. Emma Stone, Olivia Colman, and Rachel Weisz dance a minuet with daggers. 9.0/10. 💀
Michael Haneke dissects the French bourgeoisie with a psychological thriller that stings worse than a switchblade. Or is it just a hall of mirrors?
Simón Mesa Soto delivers an unsettling masterpiece about poetry, aging, and failure. Painfully beautiful. 9.0/10.
Tarantino rewrites history with a scalpel of razor-sharp dialogue and black humor that reeks of gunpowder. Christoph Waltz steals the corpse.
A scathing look at Ryan Coogler’s latest cinematic gut-punch
A folk thriller drenched in intoxicating atmosphere and solid performances, yet it lingers awkwardly between the poetic and the predictable. Drew Hancock makes a stylish debut—just don’t expect a revolution.
