Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
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We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«3665 (2013) is a dystopian, post-apocalyptic sci-fi short written and directed by the filmmaker from Salamanca, Miguel Ángel Refoyo ("Refo").»
We dissect Maclain Nelson's Don't Move, where a prehistoric arachnid reduces creature-feature horror to an exercise in absolute static.
Kim Jee-woon turns blood into bureaucracy once again, delivering a revenge tale that reeks of sheer boredom and pure aesthetic pleasure.
Casper Kelly pushes the cathodic format toward the abyss of labor retention in this orange-unicorn nightmare.
Dhruv Tripathi films a descent into the depths of journalism in Live, where identity dissolves like stolen sand.
Nicholas Pineda debuts with a found-footage film about an abandoned psychiatric hospital where the body-cam acts as an implacable judge.
Dante Sangre dissects V/H/S/Mixtape, an autopsy of the analog format as a cultural trench against contemporary tyrannical digital surveillance.
Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
Adam Wingard swaps ontological mystery for a gray and predictable military plot in an action exercise as polished as it is empty.
An intellectual autopsy of Dead Residents Evil, where Ryan Ebert and The Asylum wield the promise of a cure as the ultimate mechanism of infection.
An analytical dissection of À l'intérieur, the pinnacle of French extremity directed by Julien Maury and Alexandre Bustillo in 2007.
Tim Federle signs a Disney teen fantasy where the magic of New Orleans hides a machinery of social capital and institutional abuse.
A cynical approach to Benjamin Finkel's feature debut, where domestic terror becomes an administrative error from the great beyond.
A scathing critique of María José Araújo's sparse work, where the mirror shatters in six minutes of pretension and talent.
Bastian Noir dissects the vertical horror sequel directed by Michael Spierig and Peter Spierig. Is it genuine terror or mere relational claustrophobia?
An acid-cynical review that dismantles the pseudo-horror of Megan Is Missing, exposing its riddled script and low-caliber production.
Frances Neagley steps into the spotlight on Prime Video in a derivative procedural that swaps bone-crushing physicality for algorithmic inertia. 💀
Paco Cabezas merges Argentine historical memory with supernatural horror in a Patagonian road movie that drowns in its own generic jump-scares. 💀
Macarena Gómez revs a chainsaw in vintage Christian Dior in an unapologetic Spanish black comedy that embraces total absurdity with theatrical zeal. 💀
