Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
Steven R. Monroe helmed this controversial and savage remake of the 1978 exploitation classic—a raw tale of humiliation, survival, and unflinching vengeance that pulls no punches.
Ari Aster burst onto the horror scene with a devastating, gut-wrenching thesis on inherited grief, maternal madness, and the demon Paimon—because nothing says "family bonding" like ritual decapitations and ancestral curses.
An in-depth review of *Natural Born Killers* (1994). We dissect Oliver Stone and Quentin Tarantino’s unhinged satire on criminal fame.
A corrosive analysis of *Le Corbeau* (1943), Henri-Georges Clouzot’s psychological thriller that dissects the poison of denunciation in occupied France.
A scathing, analytical takedown of *Vertigo*, Alfred Hitchcock’s suspense masterpiece. A descent into psychological obsession and visual fetishism that exposes Hollywood’s necrophilic romance.
We dissect the big winner of the 2026 Oscars. A '70s conspiracy odyssey shot on 35mm that dazzles aesthetes and exhausts mere mortals.
André Øvredal locks Brian Cox and Emile Hirsch in an underground morgue to dissect the corpse of a medieval witch in this suffocatingly clinical thriller.
A review of Ridley Scott’s long-awaited sequel—a colossal spectacle that dazzles in its naval battles but lacks the dramatic nobility and mystique of the original classic.
A recap of the 83rd Golden Globes. We break down the winners, the most awkward acceptance speeches, and Hollywood’s open bar.
In-depth review and analysis of 'The Executioner' (1963), the undisputed masterpiece of Luis García Berlanga and Rafael Azcona. The best black comedy about the death penalty.
An in-depth review of *Taxi Driver* (1976), Martin Scorsese and Paul Schrader’s masterpiece. A feverish descent into urban alienation, concealed firearms, and sleepless nights.
A review of Ryan Coogler’s Southern Gothic vampire thriller—a stunning aesthetic spectacle that stumbles into self-important dramatics and hollow pretension.
Zach Cregger makes his horror debut in spectacular, suicidal fashion, splitting his film in half to deliver the world’s most dangerous Airbnb.
S. Craig Zahler made a colossal directorial debut, patiently blending twilight western aesthetics with auteurist dialogue and the most unflinching cannibalistic body horror imaginable.
Julia Ducournau shocked and captivated the Cannes Film Festival with a hypnotic, violent, and tender odyssey about human hybrids, cars, and familial redemption.
An in-depth review of *Fight Club* (1999). We dissect David Fincher’s cult masterpiece—a scathing take on consumerism, the crisis of masculinity, and human-soap alchemy.
Ari Aster proves there’s nothing more terrifying than a Scandinavian folk festival, emotional codependency, and giant flower costumes.
Pascal Laugier returns with a suffocating, unsettling, and razor-sharp hall of mirrors about mental escapism, violence, and the scars of childhood abuse.
