Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
Javi Prada analyzes his debut feature Gummy after sweeping Sitges 2026. A sordid thriller, practical effects, and guerrilla cinema without anesthesia.
«An immersion into the bureaucratization of police guilt and criminal tedium according to Ritesh Shah in Fateful Night.»
Crowd favorite or controversy? Unveil the awards of the 37th San Sebastián Horror Week: the win for Ghost in the Cell, the jury's picks, and the most panned films.
Takashi Miike dynamites Japanese crime cinema with a feast of blood, trauma, and masochism that Letterboxd rates with a solid 3.62.
Jordan Downey presents The Cycle, an autopsy where violence is reduced to a routine procedure devoid of any emotional catharsis.
✍️ Article French horror cinema: history, the French New Extremity, Martyrs, Inside, Raw, and The Substance. An essential guide and must-watch list.
Jitters exposes the seams of British independent cinema with a lack of resources that becomes its sole aesthetic truth.
Review of Crawlers by Ángel Gómez Hernández. An exercise in claustrophobic horror where the algorithm rules and cinema obeys.
A cinematic autopsy of Shinya Tsukamoto's masterpiece: when urban alienation and metal fuse into a single primal scream.
Ari Aster proves there’s nothing more terrifying than a Scandinavian folk festival, emotional codependency, and giant flower costumes.
Pascal Laugier returns with a suffocating, unsettling, and razor-sharp hall of mirrors about mental escapism, violence, and the scars of childhood abuse.
Ti West and Mia Goth team up for a mesmerizing and unhinged retro slasher that pays homage to classic Hollywood melodrama and deranged minds.
Vincenzo Natali adapts Stephen King and Joe Hill, turning an innocent cornfield into a suffocating labyrinth of time loops and cosmic rocks with more mystical pretensions than an Instagram guru.
Yeon Sang-ho crafted one of the best action-horror zombie thrillers in recent memory, turning a high-speed train ride into a suffocating social hellscape.
6.5 We dissect George Miller’s latest release. A visual feast that overstays its welcome like gum on hot asphalt.
Jordan Peele made his directorial debut with a razor-sharp social horror satire about hypnosis, liberal hypocrisy in the suburbs, and brain transplants—because nothing says "woke" like turning Black bodies into empty vessels for rich white folks.
Alex Garland plunges us into an uncomfortable dystopian nightmare that refuses to offer political explanations, instead zeroing in on the desensitization of war journalism.
A satirical and squirm-inducing review of Michael Haneke’s modern Austrian cinema classic. A meta-cinematic essay that shames the viewer for their thirst for violence.
Ti West delivers a filthy, lascivious, and razor-sharp love letter to '70s indie porn and rural slasher classics, set on a Texas farm where the only thing sharper than the knives is the satire.
Bong Joon-ho delivers a cinematic gem that effortlessly leaps across genres, morphing from pitch-black comedy about real estate scams into a bloody social tragedy.
Pascal Laugier delivers the magnum opus of the New French Extremity: a devastating plunge into systematic violence and the mystical quest for the great beyond.
*Hamnet* review. Maggie O’Farrell’s novel adaptation crowns itself as a devastating work of art, with a masterful Jessie Buckley at its core.
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