The Golden Gloves Story The Administrative Sadism of the Ring
«In 1950, Felix E. Feist directed not a sports drama, but an implacable documentary about the industrial processing of juvenile flesh.»
Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Miguel Ángel Refoyo on the occasion of the long-awaited return of his blog 'A World from the Abyss'. Auteur cinema, resistance, and craft.
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«In 1950, Felix E. Feist directed not a sports drama, but an implacable documentary about the industrial processing of juvenile flesh.»
Discover the release of Clayface in theaters and streaming.
Kim Jee-woon turns blood into bureaucracy once again, delivering a revenge tale that reeks of sheer boredom and pure aesthetic pleasure.
Nicholas Pineda debuts with a found-footage film about an abandoned psychiatric hospital where the body-cam acts as an implacable judge.
Dante Sangre dissects V/H/S/Mixtape, an autopsy of the analog format as a cultural trench against contemporary tyrannical digital surveillance.
Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
🎙️ Interview
We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
Adam Wingard swaps ontological mystery for a gray and predictable military plot in an action exercise as polished as it is empty.
An intellectual autopsy of Dead Residents Evil, where Ryan Ebert and The Asylum wield the promise of a cure as the ultimate mechanism of infection.
An analytical dissection of À l'intérieur, the pinnacle of French extremity directed by Julien Maury and Alexandre Bustillo in 2007.
Tim Federle signs a Disney teen fantasy where the magic of New Orleans hides a machinery of social capital and institutional abuse.
A cynical approach to Benjamin Finkel's feature debut, where domestic terror becomes an administrative error from the great beyond.
A scathing critique of María José Araújo's sparse work, where the mirror shatters in six minutes of pretension and talent.
Bastian Noir dissects the vertical horror sequel directed by Michael Spierig and Peter Spierig. Is it genuine terror or mere relational claustrophobia?
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