Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
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We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
John Carpenter delivers his artistic magnum opus in Antarctica, blending Cold War nihilistic distrust with the most unhinged practical effects in cinema history.
Na Hong-jin delivers one of the 21st century’s greatest horror masterpieces—a tale of shamans, demons, and rural conspiracy that dismantles reason itself.
Na Hong-jin doubles down on physical violence, human despair, and breakneck pacing in a tragic criminal epic with no redemption in sight.
Michael Shanks turns a couple’s lockdown into a nightmare of body horror and psychological toxicity, where love and physical revulsion merge in grotesque fashion.
7.2 Lucio A. Rojas delivers one of the most brutal, ruthless, and politically controversial films in Latin American extreme cinema.
Fabrice Du Welz films a feverish, sensory descent into the hell of mourning and loss, set in the bowels of a jungle that devours reason.
S.J. Clarkson attempts to spin a superhero thriller without superheroes, action, or a script that doesn’t read like it was written by a cheap excuse generator.
Lee Cronin takes the Universal classic, strips off its golden bandages of nostalgia, and drags it through the muck of visceral body-horror and demonic possession.
A review of Jon Favreau’s *Star Wars* film—a feature-length production that feels like a stretched-out TV episode, solely designed to rescue Disney’s merchandising division.
James Watkins debutó con un implacable y brutal thriller de supervivencia sobre la violencia de pandillas de adolescentes y el clasismo en la campiña inglesa.
A review of Antoine Fuqua’s ambitious musical biopic about Michael Jackson. A dazzling technical and choreographic spectacle that stumbles when it comes to addressing the real shadows behind the myth.
5.0 A fiery industry controversy over the use of music in films without the artists' permission—because nothing says "art" like corporate looting in a tuxedo.
Luca Guadagnino turns tennis into a high-stakes game of erotic and psychological tension in this vibrant three-way duel.
An in-depth review of Brian De Palma’s definitive paranoid thriller. We dissect his obsession with sound, his visual suspense tricks, and a devastating finale that still packs a punch.
Julia Ducournau made her feature debut with this wild, exquisite cannibal fable about coming of age, college hazing, and forbidden appetites.
Robert Eggers resurrects the immortal vampire classic with a sublime, tenebrous, and sweat-drenched symphony of shadows, rats, and fleshly obsession.
Robert Eggers locks Willem Dafoe and Robert Pattinson in a godforsaken rock to gift us a hypnotic, black-and-white maritime fever dream.
Caye Casas made her directorial debut alongside Albert Pintó in this hilarious, cruel, and pitch-black satirical farce where God is a dwarf vagrant forcing a dysfunctional family to choose the end of the world.
