Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
Javi Prada analyzes his debut feature Gummy after sweeping Sitges 2026. A sordid thriller, practical effects, and guerrilla cinema without anesthesia.
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«Review of Crawlers by Ángel Gómez Hernández. An exercise in claustrophobic horror where the algorithm rules and cinema obeys.»
A cinematic autopsy of Shinya Tsukamoto's masterpiece: when urban alienation and metal fuse into a single primal scream.
Fatih Akin dissects the psyche of killer Fritz Honka in a work of suffocating realism and profound historical discomfort.
A cynical analysis of the Netflix series. A tangled comedy where social oppression is merely an aesthetic obstacle meant to showcase Omar Sy's charm.
Review of The Weight by Padraic McKinley. Ethan Hawke and Russell Crowe star in a thriller where the commodification of freedom obliterates any trace of redemption.
Mama Bear is not a sequel, but Curry Barker's surgical, visceral response to the fiasco of Obsession. An exercise in pure survival.
Bastian Noir dissects Paco Plaza's foray into post-war horror, where the real ghost is ideology and indoctrination.
Simbiontes, virtuosismo técnico y el triunfo del sinsentido absoluto. Na Hong-jin vuelve con la superproducción más cara de Corea y la convierte en una fumada cósmica.
What happens when an action shonen turns into a parody of state bureaucracy? Dr. Cynicism dissects it.
Jaume Balagueró transplants cosmic horror to the outskirts of Madrid in an exercise where ancestral monstrosity brushes shoulders with utter tackiness.
✍️ Article Cinema exposes education as a sheep‑shaping machine. From Kubrick to Lanthimos, we dissect how classrooms become prisons and teachers turn into tie‑clad wardens.
The Rocky Horror Picture Show liberates no one: it is a cruel mirror that returns to heterosexuality its own mediocrity.
An unrelenting analysis of Voces by Angel Gomez Hernandez. When supernatural horror in Spain tries to be something more than door-slamming noise.
We dissect Ángel Gómez Hernández's The Boogeyman, an exercise where domestic folklore disguises itself as a 19th-century medical drama.
A teacher on the edge kidnaps a troubled student, and the system rewards her. Dr. Cynicism dissects this black comedy on institutional complicity.
A glacial immersion into the bureaucracy of digital guilt under the direction of Oleg Vitvicki.
Aaron Sorkin attempts to put Big Tech on trial but ends up reproducing the very same cheap dopamine he purports to denounce in The Price of the Network.
Crystal Lake dissects Pam Voorhees' past in a prequel that overly humanizes a myth that worked much better as an inscrutable shadow.
Thomas Vincent uses the theft of the Mona Lisa as a lazy excuse for an unbearable family therapy session starring Stanley Tucci.
🎙️ Interview 
We interview filmmaker Miguel Ángel Refoyo on the occasion of the long-awaited return of his blog 'A World from the Abyss'. Auteur cinema, resistance, and craft.
In 1950, Felix E. Feist directed not a sports drama, but an implacable documentary about the industrial processing of juvenile flesh.
Batman's squishiest villain becomes B-movie body horror with great makeup and a script made of putty. Worth watching? With reservations: 6.5/10.
3665 (2013) is a dystopian, post-apocalyptic sci-fi short written and directed by the filmmaker from Salamanca, Miguel Ángel Refoyo ("Refo").
We dissect Maclain Nelson's Don't Move, where a prehistoric arachnid reduces creature-feature horror to an exercise in absolute static.
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