Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Miguel Ángel Refoyo on the occasion of the long-awaited return of his blog 'A World from the Abyss'. Auteur cinema, resistance, and craft.
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«Jaume Balagueró transplants cosmic horror to the outskirts of Madrid in an exercise where ancestral monstrosity brushes shoulders with utter tackiness.»
Fatih Akin dissects the psyche of killer Fritz Honka in a work of suffocating realism and profound historical discomfort.
In 1950, Felix E. Feist directed not a sports drama, but an implacable documentary about the industrial processing of juvenile flesh.
✍️ Article Cinema exposes education as a sheep‑shaping machine. From Kubrick to Lanthimos, we dissect how classrooms become prisons and teachers turn into tie‑clad wardens.
The Rocky Horror Picture Show liberates no one: it is a cruel mirror that returns to heterosexuality its own mediocrity.
An unrelenting analysis of Voces by Angel Gomez Hernandez. When supernatural horror in Spain tries to be something more than door-slamming noise.
We dissect Ángel Gómez Hernández's The Boogeyman, an exercise where domestic folklore disguises itself as a 19th-century medical drama.
A teacher on the edge kidnaps a troubled student, and the system rewards her. Dr. Cynicism dissects this black comedy on institutional complicity.
A glacial immersion into the bureaucracy of digital guilt under the direction of Oleg Vitvicki.
Aaron Sorkin attempts to put Big Tech on trial but ends up reproducing the very same cheap dopamine he purports to denounce in The Price of the Network.
Crystal Lake dissects Pam Voorhees' past in a prequel that overly humanizes a myth that worked much better as an inscrutable shadow.
Thomas Vincent uses the theft of the Mona Lisa as a lazy excuse for an unbearable family therapy session starring Stanley Tucci.
Na Hong-jin trades bureaucratic incompetence for cosmic isolation in a horror exercise as relentless as it is desolating.
3665 (2013) is a dystopian, post-apocalyptic sci-fi short written and directed by the filmmaker from Salamanca, Miguel Ángel Refoyo ("Refo").
We dissect Maclain Nelson's Don't Move, where a prehistoric arachnid reduces creature-feature horror to an exercise in absolute static.
Kim Jee-woon turns blood into bureaucracy once again, delivering a revenge tale that reeks of sheer boredom and pure aesthetic pleasure.
Casper Kelly pushes the cathodic format toward the abyss of labor retention in this orange-unicorn nightmare.
Dhruv Tripathi films a descent into the depths of journalism in Live, where identity dissolves like stolen sand.
Nicholas Pineda debuts with a found-footage film about an abandoned psychiatric hospital where the body-cam acts as an implacable judge.
Dante Sangre dissects V/H/S/Mixtape, an autopsy of the analog format as a cultural trench against contemporary tyrannical digital surveillance.
Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
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