Rigorous analysis with a heavy dose of sarcasm. Built for film lovers who don't swallow Hollywood's marketing talk.
No editorial review on Claqueta Ácida yet.
We interview filmmaker Paco Plaza without filters in Valladolid after he received the Honorary PUFA. We review his career, his ghosts, and the hidden history of his cinema.
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«Ben Affleck directs a claustrophobic thriller where money cannot buy freedom, only the absolute certainty of failure.»
Jesse McKeown delivers a tale of geographic isolation disguised as a sea monster that barely manages to stay afloat in Under the Surface.
Odin Lagbert dissects Takashi Miike's Audition: a surgical treatise where horror doesn't reside in the needle, but in male complicity.
Diego Velasco delivers in The Whistler an exercise where resource scarcity lays bare the seams of the modern thriller.
Discover the release of Beware Boiúna in theaters and streaming.
Discover the release of Street Fighter in theaters and streaming.
A suffocating and uncomfortable chamber psychological thriller where Elliot Page and Patrick Wilson play cat and mouse in one of the best debut films of the 2000s.
E.L. Katz and Simon Barrett deliver a brutal, relentless mute survival horror film where Samara Weaving once again proves why she is the modern scream queen.
James Wan demolishes the codes of modern horror with 'Malignant', a hilarious, delirious madness that unashamedly embraces Giallo and B-movies.
Carlos Vermut plunges us into the abyss of guilt and unspeakable perversion in 'Manticore', a psychological thriller of unbearable discomfort.
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A film that flings wide the door to mystery and terror—if you dare to step through
David Cronenberg delivers a masterpiece of body horror that transforms Jeff Goldblum into an insect with a human soul. Revolting, poetic, and profoundly heartbreaking.
Santiago Fillol serves up a rotten meat platter in 'Slaughterhouse': visual ambition, ravenous actors, and a script bleeding out across the Pampas. Is this art—or just a slaughterhouse of ideas?
David Robert Mitchell revolutionized indie horror with a hypnotic, beautiful nightmare about teenage paranoia, latent AIDS, and the walking dead.
Grace is back to reclaim a throne, but the script only offers plastic chairs. Is this bloody déjà vu worth the trip? Claqueta Ácida carves it open with a scalpel.
Nicanor Loreti turns the zombie apocalypse into an Argentine style exercise: cheap, effective, and oozing more personality than a barbecue in Constitución. A masterpiece? Hardly. An instant cult classic? Probably.
Sean Byrne bursts onto the Australian horror scene with a bubblegum-pink gem of sadism and suffocating tension that redefines torture porn.
Andy Muschietti returns to Derry to spin the origin tale of Pennywise. Spoiler: the clown remains the only interesting thing in the room.
Álex de la Iglesia turns the Apocalypse into an orgy of gore, black humor, and punk metal. Art or sacrilege? Acid Claquette decides.
Buñuel and Dalí eviscerate surrealism in 16 minutes of blood-soaked celluloid. Masterpiece or Freudian nightmare with a razor? Here’s the acidic verdict.
Julia Ducournau delivers a teen drama with body-and-soul pretensions, but all she manages is a poorly healed tattoo on the arm of French cinema.
Genki Kawamura adapts *The Exit 8* video game with more loops than a politician’s campaign promises. Will it escape the purgatory of J-horror, or is it doomed to linger in its own terminal?
Two young men convinced an executive is an alien kidnap her. Will they save Earth—or just their own delusions?
